In 1851 Olive Oatman was a thirteen-year old pioneer traveling west toward Zion, with her Mormon family. Within a decade, she was a white Indian with a chin tattoo, caught between cultures. The Blue Tattoo tells the harrowing story of this forgotten heroine of frontier America. Orphaned when her family was brutally killed by Yavapai Indians, Oatman lived as a slave to her captors for a year before being traded to the Mohave, who tattooed her face and raised her as their own. She was fully assimilated and perfectly happy when, at nineteen, she was ransomed back to white society. She became an instant celebrity, but the price of fame was high and the pain of her ruptured childhood lasted a lifetime.

Based on historical records, including letters and diaries of Oatman’s friends and relatives, The Blue Tattoo is the first book to examine her life from her childhood in Illinois—including the massacre, her captivity, and her return to white society—to her later years as a wealthy banker’s wife in Texas.

Oatman’s story has since become legend, inspiring artworks, fiction, film, radio plays, and even an episode of Death Valley Days starring Ronald Reagan. Its themes, from the perils of religious utopianism to the permeable border between civilization and savagery, are deeply rooted in the American psyche. Oatman’s blue tattoo was a cultural symbol that evoked both the imprint of her Mohave past and the lingering scars of westward expansion. It also served as a reminder of her deepest secret, fully explored here for the first time: she never wanted to go home.
 

Margot Mifflin is an author and journalist who writes about women, art, and contemporary culture. The author of Bodies of Subversion: A Secret History of Women and Tattoo, she has written for many publications, including the New York Times, the New Yorker, Entertainment Weekly, the Believer, and Salon.com. Mifflin is an assistant professor in the English Department of Lehman College of the City University of New York (CUNY) and directs the Arts and Culture program at CUNY’s Graduate School of Journalism, where she also teaches. 

"The Blue Tattoo is well-researched history that reads like unbelievable fiction, telling the story of Olive Oatman, the first tattooed American white woman. . . . Mifflin weaves together Olive's story with the history of American westward expansion, the Mohave, tattooing in America, and captivity literature in the 1800s."—Elizabeth Quinn, Bust

"In The Blue Tattoo, Margot Mifflin slices away the decades of mythology and puts the story in its proper historical context. What emerges is a riveting, well-researched portrait of a young woman—a survivor, but someone marked for life by the experience."—Jon Shumaker, Tucson Weekly

"In 1851 Olive Oatman was a thirteen-year old pioneer traveling west toward Zion, with her Mormon family. Within a decade, she was a white Indian with a chin tattoo, caught between cultures. The Blue Tattoo tells the harrowing story of this forgotten heroine of frontier America. . . . This is a revealing read as it delves into the social morays and prejudice of the time."—Sandy Amazeen, MonstersAndCritics.com

"Ms. Mifflin did a amazing job in capturing the life of Olive Oatman; before, during and after her capture by the Indians. This is definitely a winner."—GrumpyDan.blogspot.com

"Mifflin, whose admirable and enjoyable book offers analysis of both the reality and the mythology of Oatman's life, shows that there is much beyond the blue tattoo."—Spencer Dew, Rain Taxi

"The Blue Tattoo is a wonderful peek at an era and a literary genre by a first-class researcher. And if Olive Oatman could time-travel back to read the book, I think she'd be delighted to discover that finally there was a sympathetic author more interested in explaining than exploiting her captivity story."—Jack Shakely, Internet Review of Books

Southwest Books of the Year, 2009 -- Top Pick.