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In the Remington Moment, In the Remington Moment, 0803225288, 0-8032-2528-8, 978-0-8032-2528-2, 9780803225282, Stephen Tatum, , In the Remington Moment, 0803230389, 0-8032-3038-9, 978-0-8032-3038-5, 9780803230385, Stephen Tatum

In the Remington Moment
Stephen Tatum

hardcover
2010. 280 pp.
8 color plates, 34 b/w images
978-0-8032-2528-2
$55.00 s
 

For most people, the work of Frederic Remington conjures an antiquarian world of all things “western.” Why this is so, and whether it should be so, are two of the critical questions raised in this book. Stephen Tatum closely considers selected paintings from Remington’s last four years of life—his so-called years of critical acclaim. Tatum’s purpose is twofold: first, to understand these paintings, both formally and thematically, within their historical, aesthetic, and biographical contexts; and second, to account for what endows them today—after marking the centennial of Remington’s death in 1909—with continuing aesthetic and cultural significance.
 
To this end, Tatum examines these late paintings in relation to Remington’s other works, his letters and published writings, his evolving critical reception, and the writing and artwork of other cultural figures of the era, such as historian Frederick Jackson Turner and sociologist Georg Simmel. The book provides an illuminating glimpse of how and why particular Remington works might seize a viewer’s attention in his or her past or present moment of reception—how in fact their unstable visual complexity can ultimately absorb their viewer. In his “Coda,” Tatum offers a personal memoir of his own encounter with Remington’s The Love Call, a critical meditation enacting and questioning the “Remington Moment.”

Stephen Tatum is a professor of English and director of the Environmental Humanities Graduate Program at the University of Utah. He is the author and editor of several books, most recently coeditor, with Melody Graulich, of Reading “The Virginian” in the New West (Nebraska 2003).

"Can the work of an artist like Remingtonnostalgic even in his timebe considered as more than a relic in ours? Might it still have an affecting presence a century after Remington's passing? Tatum's book is a palpable affirmation."Brian Rusted, Great Plains Quarterly


Publication of this volume was assisted by a grant from the Charles Redd Center for Western Studies at Brigham Young University and by The Virginia Faulkner Fund, established in memory of Virginia Faulkner, editor in chief of the University of Nebraska Press.

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