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Spring/Summer 2012 e-catalog Download PDF
Women & MusicVolume 15, 2011
Listening for Willie Mae "Big Mama" Thornton's Voice: The Sound of Race and Gender Transgressions in Rock and RollMaureen Mahon
The Touch of the Violin, the Coldness of the Bell: Synaesthesia, Mimesis, and the Unlocking of Traumatic Memory in Bunita Marcus's The Rugmaker and Andra McCartney's Learning to WalkJenny Olivia Johnson
Trauma and Recovery in Germaine Tailleferre's Six chansons françaises (1929)Kiri L. Heel
Theorizing Gender, Culture, and MusicAn Antidote to Metaphysics: Adriana Cavarero's Vocal PhilosophyRyan Dohoney
ReviewGirl Groups on Girl Groups; or, Why Girl Singers (Still) MatterSheila Whiteley
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