"[Famous] weaves together two seemingly antithetical themes: the comic indignations and attractions of minor celebrities, and the everyday joys and sorrows of family life. . . . Ordinariness—our need for it, and our frustrations with it—becomes Flenniken's signature subject: the quietest evenings 'make you what you are.' Flenniken . . . has fashioned a poetry comfortable with self-imposed limits. . . . She still finds herself searching after mysteries, in board games, novels, and her own life." —Publishers Weekly Annex
"There's a winning surface modesty here: it isn't Abraham Lincoln who merits the poem, but his oft-maligned wife; not Edna St. Vincent Millay, but her stay-at-home husband; not the Taj Mahal, but the everyday International House of Pancakes. Still, in Flenniken's hands, these occasions rise toward urgent news—as when, in 'Shampoo,' the memory of a mother's declining health soulfully becomes one with the headline about a submarine's sinking—until the leastmost of us are transformed, poem by poem, into the famous."—Albert Goldbarth, author of Saving Lives, winner of the National Book Critics Circle Award
"Unpretentious, self-effacing, earthy, funny, and wise."—Peggy Shumaker, author of Blaze
"Exploring the external trappings of contemporary life as well as the internal cadences of a mind that wants at once to be 'shocking and irresistible,' Kathleen Flenniken takes us into the slipstreams of fame, where our daily dramas play themselves out in the 'wild uncoded rhythms' of the imagination."—Judith Kitchen, author of The House on Eccles Road
"There's a consistency of voice and diction in Famous that satisfies and a carefully rendered emotional core to the poems, which quietly surprises."—Stephen Dunn, Pulitzer Prize–winning author of Different Hours
“There is not a shred of pretentiousness [in these poems]. . . . Famous is a genuine treasure, which undoubtedly is why it was awarded the 2005 Prairie Schooner Book Prize in Poetry.”—The Seattle Times
“What emerges from the poems, taken as a group and as a loose narrative, is a familiar and mundane persona that could correspond to that of many middle-class American female poets. . . . [B]ut this life is, beautifully and completely, transformed into art. . . . [I]t is rare to come across a poet of familiar contemporary experience like Kathleen Flenniken, whose imaginative, convincing tropes, sense of rhythm and sound, sharp intellect, narrative instinct, and resistance to cliche transform that experience into art so compelling that it makes us wonder how have we come to doubt it could be done?”—Bloomsbury Review
“A rich offering of plain but musical language and understated irony. . . . These poems are routinely surprising, filled with memorable imagery and delightful comparisons that will stay with the reader for a long time. —42opus.com
“[Flenniken’s] own poems pluck out the most ordinary moments of everyday life and probe for the extraordinary.” —Barbara McMichael, Olympian (Olympia, WA)
“With simple and honest language [Flenniken] weaves a journey of common, everyday moments that make up the human experience and giver her readers an unpretentious look at our very own reputations as parents, wives, husbands, children, and creators. . . . This is not a collection of poems one should read only once.”—Stacey Rollins, Big Muddy: A Journal of the Mississippi
