Primitive Renaissance


Primitive Renaissance

Rethinking German Expressionism

David Pan

239 pages


May 2001


$55.00 Add to Cart

About the Book

Primitive Renaissance argues that the radicality of early-twentieth-century movements such as expressionism was not their modernism but rather their primitivism. At the heart of the work of Friedrich Nietzsche, Pablo Picasso, Wassily Kandinsky, Carl Einstein, and others was a critique of modernity through a primitivist aesthetic that privileged art over science and reason. Although drawing on non-European cultural traditions, the new aesthetic was not merely exoticism, an artistic phase or fad that opened a window on the cultural other. It was conceived less as a simple negation of the trappings of civilization than as a more pervasive and structured critique of how life is organized in the modern world. Based on a traditionalist rather than Enlightenment view of the function of art in society, primitivism contended that art provides the core mythic structure for human consciousness. On a broader level, by negating modernity, primitivism also challenged its inevitability. Modernity became one of a number of equally plausible cultural strategies for organizing life in the contemporary world.
Ranging insightfully across the visual arts, literature, and philosophy, Primitive Renaissance offers a provocative reassessment of the significance of primitivism and its contribution to the intellectual, artistic, and cultural climate of Europe in the early twentieth century.

Author Bio

David Pan is an acting assistant professor of German at Stanford University.


“The author’s basic premise is an engaging one. . . . One must commend Pan for his economic tackling of a large subject using a great variety of multidisciplinary materials and sources within which to frame his discussion.”—Marion F. Deshmukh, Central European History

“Exceedingly well written and the author’s command of his sources is formidable. Pan’s achievement is to have rethought and resituated primitivism in modern European thinking and to have challenged once more our assumptions about the homogenous and monolithic nature of modernity.”—Katharina Gerstenberger, Journal of English and Germanic Philology

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