Preface
Introduction/Chapter 1. Towards a Genealogy of Indigenous Film Theory: Reading Hollywood Indians
Chapter 2. Ideologies of (In)visibility: Redfacing, Gender, and Moving Images
Chapter 3. Tears and Trash: Economies of Redfacing and the Ghostly Indian
Chapter 4. Prophesizing on the Virtual Reservation: Imprint and It Starts with a Whisper
Chapter 5. Visual Sovereignty, Indigenous Revisions of Ethnography and Atanarjuat (The Fast Runner)
Epilogue. Redfacing Redux