Hybrid Anxieties

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Hybrid Anxieties

Queering the French-Algerian War and Its Postcolonial Legacies

C. L. Quinan

Expanding Frontiers: Interdisciplinary Approaches to Studies of Women, Gender, and Sexuality Series

282 pages
6 photographs, 1 illustration, index

Hardcover

December 2020

978-1-4962-0681-7

$99.00 Pre-order
Paperback

December 2020

978-1-4962-2426-2

$30.00 Pre-order

About the Book

Situated at the crossroads of queer theory and postcolonial studies, Hybrid Anxieties analyzes the intertwined and composite aspects of identities and textual forms in the wake of the French-Algerian War (1954–1962). C. L. Quinan argues that the war precipitated a dynamic in which a contestation of hegemonic masculinity occurred alongside a production of queer modes of subjectivity, embodiment, and memory that subvert norms. Innovations in literature and cinema were also directly impacted by the long and difficult process of decolonization, as the war provoked a rethinking of politics and aesthetics. The novels, films, and poetry analyzed in Hybrid Anxieties trace this imbrication of content and form, demonstrating how a postwar fracturing had both salutary and injurious effects, not only on bodies and psyches but also on artistic forms.

Adopting a queer postcolonial perspective, Hybrid Anxieties adds a new impulse to the question of how to rethink hegemonic notions of gender, sexuality, and nationality, thereby opening up new spaces for considering the redemptive and productive possibilities of negotiating life in a postcolonial context. Without losing sight of the trauma of this particularly violent chapter in history, Hybrid Anxieties proposes a new kind of hybridity that, however anxious and anticipatory, emphasizes the productive forces of a queer desire to deconstruct teleological relationships between past, present, and future.

 

Author Bio

C. L. Quinan is an assistant professor of gender studies in the Department of Media and Cultural Studies at Utrecht University in the Netherlands.

Praise

“In this fascinating study Quinan analyzes fictions that plumb anxieties about hybridity—racial, sexual, gendered, and national—in the wake of the French-Algerian war. Hybrid Anxieties offers a brilliant and much-needed synthesis of queer theory, postcolonial studies, and deconstruction in a French and Algerian context.”—Kadji Amin, author of Disturbing Attachments: Genet, Modern Pederasty, and Queer History
 

Hybrid Anxieties maps out and unpacks an important and timely topic, timely in terms of popular and political discussion but also in terms of scholarly debates about the queer, the postcolonial, and their intersections and about the histories of post-decolonization France. Quinan writes clearly and with style and makes claims incisively and convincingly.”—Todd Shepard, author of Sex, France, and Arab Men, 1962–1979

The novelty of Hybrid Anxieties lies in its choice of sources, none of which are completely Maghrebian; rather, they might be situated at the place of the colonial encounter itself, in a sort of in-between à la Homi K. Bhabha. Given that Bhabha’s ‘in-between’ is inextricably linked to his conceptualization of ‘hybridity,’ I think that Quinan’s inclusion of this latter concept as one of the book’s key theoretical notions offers a unique opportunity to tease out possible connection between hybridity and queerness.”—Jarrod Hayes, author of Queer Roots for the Diaspora: Ghosts in the Family Tree
 

Table of Contents

List of Illustrations    
Acknowledgments    
Introduction: Framing Queer Postcolonial Interventions after the War    
Part 1: Masculinity and Memory
1. Haunted Masculinity and the Wounds of War: Alain Resnais’s Muriel and Laurent Mauvignier’s The Wound    
2. “You’ll Never Give Me a Bad Conscience!”: Masculinity and Postcolonial Guilt in Caché    
Part 2: Queering Postcolonial Legacies
3. Eros and Eden: Pierre Guyotat and Queer Pleasures    
4. Queer Palimpsests and October 17, 1961: Memory Politics in Leïla Sebbar’s The Seine Was Red    
5. Queering Identity, Embracing In-Betweenness: Disidentification and Re-membering in Nina Bouraoui’s Tomboy    
Conclusion: Queer Postcolonial Entanglements    
Notes    
Bibliography    
Index