List of Tables
Acknowledgments
Introduction: Teaching Western American Literature
Brady Harrison, University of Montana, and Randi Lynn Tanglen, Austin College
Part 1. Teaching the Literary Wests
1. Teaching the Popular Western in the Second-Level Writing Course
Chadwick Allen, University of Washington
2. Quirky Little Things and Wilderness Letters: Using Wallace Stegner to Teach Cultural Studies and the Responsibilities of Citizenship
Melody Graulich, Utah State University
3. Teaching the Black West
Kalenda Eaton, University of Oklahoma, and Michael K. Johnson, University of Maine–Farmington
Part 2. Affect, Indigeneity, Gender
4. Gender, Affect, Environmental Justice, and Indigeneity in the Classroom
Amy T. Hamilton, Northern Michigan University
5. Teaching Queer and Two-Spirit Indigenous Literatures, or The West Has Always Been Queer
Lisa Tatonetti, Kansas State University
6. An Interdisciplinary Approach to Teaching Gender in Western American Literature
Amanda R. Gradisek and Mark C. Rogers, Walsh University
Part 3. Place and Regionality
7. Moving Beyond the Traditional Classroom and So Far from God: Place-Based Learning in the U.S. Southwest
Karen R. Roybal, Colorado College
8. Quotidian Wests: Exploring Regionality through the Everyday
Nancy S. Cook, University of Montana
9. Western Writers in the Field
O. Alan Weltzien, University of Montana Western
10. Placing the Pacific Northwest on the Literary Map: Teaching Ella Rhoads Higginson’s Mariella, of Out-West
Laura Laffrado, Western Washington University
Part 4. Hemispheric/Global Wests
11. National, Transnational, and Human Rights Frames for Teaching María Amparo Ruiz de Burton’s The Squatter and the Don
Tereza M. Szeghi, University of Dayton
12. Able-Bodies, Difference, and Citizenship in the West: Teaching James Welch’s The Heartsong of Charging Elk in a Global Context
Andrea M. Dominguez, DeVry University, San Diego
13. Teaching Western Canadian Literature in the Croatian Context: A Case Study
Vanja Polić, University of Zagreb
Contributors
Index