Speculative Wests

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Speculative Wests

Popular Representations of a Region and Genre

Postwestern Horizons Series

286 pages
index

Paperback

March 2023

978-1-4962-3458-2

$30.00 Add to Cart
Hardcover

March 2023

978-1-4962-3350-9

$99.00 Add to Cart
eBook (PDF)

(Requires Adobe Digital Editions)

March 2023

978-1-4962-3482-7

$30.00 Add to Cart
eBook (EPUB)

(Requires Adobe Digital Editions)

March 2023

978-1-4962-3481-0

$30.00 Add to Cart

About the Book

Looking across the cultural landscape of the twenty-first century, its literature, film, television, comic books, and other media, we can see multiple examples of what Shelley S. Rees calls a “changeling western,” what others have called “weird westerns,” and what Michael K. Johnson refers to as “speculative westerns”—that is, hybrid western forms created by merging the western with one or more speculative genres or subgenres, including science fiction, fantasy, horror, and alternate history.

Speculative Wests investigates both speculative westerns and other speculative texts that feature western settings. Just as “western” refers both to a genre and a region, Johnson’s narrative involves a study of both genre and place, a study of the “speculative Wests” that have begun to emerge in contemporary texts such as the zombie-threatened California of Justina Ireland’s Deathless Divide (2020), the reimagined future Navajo nation of Rebecca Roanhorse’s Sixth World series (2018–19), and the complex temporal and geographic borderlands of Alfredo Véa’s time travel novel The Mexican Flyboy (2016). Focusing on literature, film, and television from 2016 to 2020, Speculative Wests creates new visions of the American West.

Author Bio

Michael K. Johnson is a professor of American literature at the University of Maine–Farmington. He is the author of several books, including Hoo-Doo Cowboys and Bronze Buckaroos: Conceptions of the African American West, Black Masculinity and the Frontier Myth in American Literature, and A Black Woman’s West: The Life of Rose B. Gordon.

Praise

“Michael K. Johnson’s Speculative Wests has a unique feel in its cogent analysis of the western motif in recent speculative fiction written by BIPOC authors between 2016 and 2020. He reinvigorates frontier mythology with politically charged genre critiques regarding time travel, alternate history, and future wars linked to the American West and its history.”—Isiah Lavender III, author of Race in American Science Fiction and Afrofuturism Rising: The Literary Prehistory of a Movement

“A timely and astute study that enlarges our understanding of U.S. ethnic futurisms through conceptualizing ‘speculative westerns’: new hybridized forms suturing the western and speculative genres. Through incisive close readings, Michael K. Johnson charts alternative spatial and temporal trajectories of the American West and U.S.-Mexico borderlands.”—Cathryn J. Merla-Watson, coeditor of Altermundos: Latin@ Speculative Literature, Film, and Popular Culture

“The deft analysis of race as it intersects with and challenges genre traditions—the western and speculative fiction—makes this an extremely timely and important book.”—Sara L. Spurgeon, author of Exploding the Western: Myths of Empire on the Postmodern Frontier

“By looking at speculative wests that ‘disrupt’ authenticity and truth claims latent in the mythos of the western, this book provides another example of the contemporary relevance of the western as part of a hybrid genre that enables meditations on past, present, and future.”—Rebecca M. Lush, professor of literature and writing studies at California State University–San Marcos

Table of Contents

Introduction
1. Race, Time Travel, and the Western
2. Trauma, Time Travel, and Legacies of Violence
3. Alternate Cartographies of the West(ern) in Indigenous Futurist Works
4. Speculative Borderlands I: Mestizaje, Temporality, and History
5. Speculative Borderlands II: Time Travel and Cartographies of Trauma
6. Speculative Slave Narrative Westerns
Afterword
Notes
Index
 

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