"In Hoarding New Guinea, Buschmann provides a complex account how various collectors, Indigenous traders, and museum curators interacted over time and determined what was collected. This book is particularly convincing in its depiction of the dynamics of collecting. . . . By 1914 across German ethnography museums, a near paralysis in documentation, theorizing, and displaying had taken hold. The sorcerer's apprentice had truly run riot, as Buschmann has so cogently and dramatically documented."—Nick Stanley, Journal of Anthropological Research
"Hoarding New Guinea significantly contributes to the discussion about colonial collections and their future. It challenges museum experts and scholars to critically reflect on their role in dealing with the colonial past and to contribute actively to a more just future. This is an indispensable work for all those concerned with post-colonialism, anthropology and museum practice."—Katharina Nowak, Zeitschrift für Ethnologie
"This book will fascinate scholars in museum studies, postcolonial studies, memory studies, cultural geography, and anyone interested in tracing the history of material culture. Beyond the case study and geographic focus, this scholarship will also inform explorations into local colonial collections in other parts of the world, from Africa to Canada. By making space for Indigenous actions and reactions, the study will become a model for the decentering of historical studies on colonial artifacts."—Hélène B. Ducros, EuropeNow
“Hoarding New Guinea manages to be both historically grounded and also attuned to contemporary recognitions of Indigenous agency. The book’s findings and conclusions are sobering, surprising, and illuminating in equal measure, and a refreshing corrective to much superficial postcolonial writing that simplifies and flattens the complexities of the colonial encounter.”—Conal McCarthy, author of Museums and Māori: Heritage Professionals, Indigenous Collections, Current Practice
“This book establishes its topical focus—the hoarding of New Guinea—in a sound analysis of colonial ethnographic collection histories, thus grounding the critique of the present and potential reimagination of the future in a nuanced understanding of the past. Such careful and detailed work is much needed, long overdue, and highly important. It will be of interest to museum scholars as well as professionals and students.”—Philipp Schorch, author of Refocusing Ethnographic Museums through Oceanic Lenses
