“Prison Town breaks new ground in the study of the carceral state in rural America. Fiercely analytical and with compelling personal throughlines, Prison Town examines Elmira as a set of relationships forged across the porous borders supposedly separating state and capital as well as institution and community. Morrell’s ethnography reveals how Elmirans make sense of their changing community and analyzes the political and economic changes that contoured the town (and other places like it) to accept prisons as legitimate forms of development. In the process, Prison Town sheds new light on the racializing and immiserating consequences of prison building for rural communities.”—Judah Schept, author of Coal, Cages, Crisis: The Rise of the Prison Economy in Central Appalachia
“Though prisons promise economic development to deindustrialized regions, what they produce is misery. Andrea Morrell’s ethnography of Elmira, New York, offers a tender portrait of a bleak place. Through the voices of local residents, prison guards, formerly incarcerated people, town boosters, prisoner advocates, and loved ones visiting prisoners from downstate, she recounts the costs borne by people in her own hometown. Painful and personal, Prison Town reveals how life is broken for people on both sides of the prison walls.”—Christina Heatherton, coeditor of Policing the Planet: Why the Policing Crisis Led to Black Lives Matter
“Highly readable and lucid. Andrea Morrell has produced an urgent, well-researched, empirically rich, and theoretically sophisticated book. Prison Town is an enormous contribution to the subfield of critical carceral studies and anthropology. There are few works of the texture and breadth of this one, which has involved more than thirteen years of research and is augmented by Morrell’s deep familial and social ties to the Elmira community.”—David P. Stein, assistant professor of history at the University of California, Santa Barbara
“Andrea Morrell delivers a poignant plea for prison abolition. Prison Town resonates with her own upbringing in a prison town where her two grandfathers had been prison guards. Importantly, she demonstrates the porousness of prison walls—prison and town leak into each other, so that the prison is a constant presence throughout all life in the town. Her work lives up to the advice she was given by an activist: ‘Make it clear that it’s bad for people on both sides of the prison walls.’. . . Her focus on a single town allows her to make glaringly obvious the machinations of the carceral state, providing a useful tool for prison abolition activists throughout the country.”—Pem Davidson Buck, author of The Punishment Monopoly: Tales of My Ancestors, Dispossession, and the Building of the United States
“Andrea Morrell’s ethnography convincingly demonstrates how ‘carceral reindustrialization’ (attempts to use prison construction as a means of economic development) ultimately failed to expand the local economy and increased immiseration across New York State. With a keen ethnographic eye and empathy for those ‘on both sides of the prison walls,’ she documents how prison work and local discourses about crime reproduced racial inequalities and ideologies of racial difference. While Black and Latine communities were subject to the devastation brought by mass incarceration, a small group of white men traded multiple forms of stigma and being trapped in brutal and boring jobs for the meager advantages of increased incomes. Ultimately, her ethnography is an urgent call to abolish carceral systems that create ‘misery at all scales of human life’ and build a society ‘that centers the needs of all people.’”—Tina Lee, author of Catching a Case: Inequality and Fear in New York City’s Child Welfare System
