Henrietta Goodman

The Backwaters Prize in Poetry Honorable Mention Series

94 pages


March 2024


$17.95 Add to Cart
eBook (EPUB)
Ebook purchases delivered via Leaf e-Reader

March 2024


$17.95 Add to Cart
eBook (PDF)
Ebook purchases delivered via Leaf e-Reader

March 2024


$17.95 Add to Cart

About the Book

Winner of the Backwaters Prize in Poetry Honorable Mention

The title poem of this collection refers to the phantom island of Antillia, included on maps in the fifteenth century but later found not to exist. The ghosts that haunt this collection are phantom islands, moon lakes, lasers used to clean the caryatids at the Acropolis, earlier versions of the self, suicides, a madam from the Old West, petroleum, snapdragons, pets, ice apples, Casper, and a “resident ghost” who makes the domestic realm of “the cradle and the bed” uninhabitable. The ghosts are sons, fathers “asleep in front of the TV,” and a variety of exes—“lost boys” with names like The Texan and Mr. No More Cowboy Hat whom Henrietta Goodman treats with snarky wit but also with grief, guilt, and love.

Although memories pervade this collection, these poems also look forward and outward into a world where social inequality and environmental disaster meet the possibility of metamorphosis.

Author Bio

Henrietta Goodman is an assistant professor of English at Rocky Mountain College in Billings, Montana. She is the author of All That Held Us, Hungry Moon, and Take What You Want.


“Henrietta Goodman’s is a poetry of testament, an ‘inventory of scars,’ a mosaic of shards and sorrows, a symphony whose movements straddle innocence and experience, whose cinematic cross-cutting of gutting images provides evidence of a wise spirit bruised yet irrepressible. Antillia gestures toward a taxing history of embodied travails, of ice apples, and ghosts, a lived terrain where Goodman sees ‘everything/trying to divide yet stay attached/at the root.’ Here’s a voice gritty, delicate, resilient, raw, a speaker with a handsaw who’s ‘no one’s wife and no one’s martyr,’ instead ‘a gasping head on a platter/of water’ whose eyes cast floodlights on the ‘Forty billion poison gallons/the geese see from air and mistake for a safe place.’ Savvy to feel gifted when the “ground is finally thawed enough to bury the dead”; brilliant to define ‘Happiness: the underside of a dried starfish,’ Goodman reminds us that a child can be ‘made of nothing,’ and that a single word can birth a shattered world of loss and misunderstanding in which we nevertheless abide.”—Katrina Roberts, author of Likeness

“Henrietta Goodman’s Antillia is a collection of searching lyric poems that remember, joke, free associate, interrogate, worry, and examine the roots of words in pursuit of sense or solace. The world depicted is one of potential chaos and harm, though a quest for love, joy, and understanding has not been abandoned. In one Proustian meditation, the smell of Windex conjures memories of the speaker’s grade school crush, yet further consideration yields recollections of a Cold War-era bomb shelter. The bewildered (or sardonic) speaker asks, ‘Windex leads to Martin leads to beauty leads to bomb?’ The volume’s title suggests that a new world might be accessed, though at present it’s more myth than fact. These aesthetically impressive poems stun with their vigor, candor, and wit.”—Christopher Brean Murray, author of Black Observatory: Poems

“‘In the South, everything bites / and f*cks and pretends not to,’ Henrietta Goodman writes in one of her trademark poems that are alive and daring and nervy: all heart and smarts, no pretense. We’re so fortunate to have this new book, which moves from lovers to sons to metaphorical-real lakes to a fancy cowboy bar’s ‘ropes / of neon acrylic squeezed straight from the tube’ to fine art to stinging truths—insisting on loving and facing head-on a world that keeps failing and falling.”—Alexandra Teague, author of Or What We’ll Call Desire

Table of Contents

The Puppy and Kitten Channel
What Are We Going to Turn Into?
Gretel Returns
Ice Apples
Asked to Imagine the Death of My Son
Self-Portrait, 1921, Alberto Giacometti
Lake of Delight
Self-Portrait Playing Tennis
Self-Portrait with Emergency Landing
The Man behind the Curtain
Lake of Winter (Berryman)
Self-Portrait as a Stranger
I Want to Be a Door
Opossum of the Month
Sea of Desire
Free Association
Lake of Death
Postcolonial Melancholia
Red-Winged Blackbirds
I Don’t Require Durability in a Swan
When Frankenstein Chased His Creature across the Ice
The Men at Snowbowl Teaching Their Daughters to Ski
The Petroleum Club
Organizational Systems
Self-Portrait in the Blackfoot
Self-Portrait with Northern Lights
Self-Portrait with Seven Fingers (Marc Chagall, 1912)
Lake of Time
Letter from the Ant Queen
The Repetitive Bird
Self-Portrait on Valentine’s Day
Pointillist Self-Portrait
Mr. No More Cowboy Hat
Letter from the Queen of the Crows
Remember What You Said About Women
Lake of Hope
Resident Ghost
The Texan
Self-Portrait in Downtown Missoula
Source Acknowledgments

Also of Interest